CLAIRE COLLISON
THE SHUNAMITE
NUDE PORTRAIT OF PATRICIA PREECE
Three years to peel her to this generosity of flesh,
where a librettist drowned.
From where he is, her breasts are larger than her head—
her breasts! Stanley could fall forward
and suffocate in cloud-curdle, green marble
mottle-shine; her plum nipples
wall-eyed among leather-buttoned upholstery,
her contempt at their effect.
This Exquisite Lady appearance—high heels and straight walk—thrills;
he tissue-wraps silks, gifts her the velvet she hankers after.
She leases him her surface, proposes herself
manager of his carcass.
​
At seventeen, tangled in reeds, tiptoe in mud, she cried—help!
help! help!—pressing on the old man’s shoulders.
LISTENING TO JUNG ON AUDIBLE
There was an old woman who lived in a breast. It was designed by an
eccentric architect; he built a few in the Seventies along this stretch of
coast. There would have been little else here then, apart from a
Buckminster Fuller inspired geodesic dome so the effect from the sea
would have been of giant, single-breasted Amazons, asleep on the beach.
The old woman was called Denise. She walked the shore at sunset in
white cotton gloves. She would feel my calves as if they were fetlocks as
if I were a racehorse and she kept racehorses. She died last year. Round
houses are notoriously difficult to furnish, and provoke vivid dreams.
Denise had a gymnasium in her basement, entered through a hidden
door on the beach, and furnished with a sturdy, leather-upholstered
massage table. She fashioned weights from sand-filled water bottles. I
took her to the doctors once, meeting her at dawn at a modest door
below the main entrance, which was approached by a concrete, shell-
studded gangplank; dramatic and never used. Now there are wild cats in
her tennis courts, and the swimming pool sings with frogs.
Claire Collison was one of three winners of the inaugural Women Poets’ Prize. Her poems have been placed in Winchester, Hippocrates, and Resurgence Prizes, and are published in Bad Betty, Valley Press, Emma Press and Verve anthologies, as well as in The Rialto, Magma, Butcher’s Dog and Finished Creatures. Her website is https://www.clairecollison.com/