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CLAIRE COLLISON

THE SHUNAMITE

The-Shunamite.jpg

NUDE PORTRAIT OF PATRICIA PREECE 

Three years to peel her to this generosity of flesh,

where a librettist drowned.

 

From where he is, her breasts are larger than her head—

                                her breasts! Stanley could fall forward

 

and suffocate in cloud-curdle, green marble

mottle-shine; her plum nipples

 

wall-eyed among leather-buttoned upholstery,

her contempt at their effect.

 

This Exquisite Lady appearance—high heels and straight walk—thrills;

he tissue-wraps silks, gifts her the velvet she hankers after.

 

She leases him her surface, proposes herself

manager of his carcass. 

​

At seventeen, tangled in reeds, tiptoe in mud, she cried—help!

help! help!—pressing on the old man’s shoulders.

LISTENING TO JUNG ON AUDIBLE

There   was  an old  woman  who  lived  in  a  breast.  It was designed by an 

eccentric architect; he  built  a  few  in  the  Seventies  along this stretch  of 

coast.  There   would   have   been   little   else   here   then,   apart  from  a 

Buckminster  Fuller  inspired  geodesic  dome    so  the  effect from the sea 

would  have  been of giant, single-breasted Amazons, asleep on the beach.

The  old  woman  was  called  Denise.  She  walked  the  shore  at sunset in 

white  cotton  gloves.  She would feel my calves as if they were fetlocks   as

if  I  were  a  racehorse  and  she kept racehorses. She died last year. Round

houses  are  notoriously  difficult  to  furnish,  and   provoke   vivid   dreams. 

Denise  had  a  gymnasium  in  her  basement,  entered  through  a  hidden

door  on  the  beach,  and   furnished   with  a  sturdy,   leather-upholstered

massage  table.  She  fashioned  weights  from  sand-filled  water bottles.  I 

took  her  to  the  doctors  once,  meeting  her  at  dawn  at  a modest door

below  the  main  entrance,  which  was  approached  by  a  concrete,  shell-

studded  gangplank;  dramatic  and  never used. Now there are wild cats in 

her  tennis  courts,  and  the swimming  pool sings with  frogs.

Claire Collison was one of three winners of the inaugural Women Poets’ Prize. Her poems have been placed in Winchester, Hippocrates, and Resurgence Prizes, and are published in Bad Betty, Valley Press, Emma Press and Verve anthologies, as well as in The Rialto, Magma, Butcher’s Dog and Finished Creatures. Her website is https://www.clairecollison.com/

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